Erotique
One can determine a line in Tscherkassky’s oeuvre which turns around a game with filmic presentation, with degrees of recognisability — with the only-just and the not-any-more. Just to see desire. An example of this is Erotique. One sees swirling pictures, parts of a woman’s face, red lips, eyes in cyclical fragments of movement. Often it is difficult to tell which part of the body one actually sees (whoever wants to can see/imagine/think sexual organs and sexual acts.) The gaze gets hung up on partial objects, no integral, whole body to think about. No body, whose representation was always one of the problems in cinema.
Description: One can determine a line in Tscherkassky’s oeuvre which turns around a game with filmic presentation, with degrees of recognisability — with the only-just and the not-any-more. Just to see desire. An example of this is Erotique. One sees swirling pictures, parts of a woman’s face, red lips, eyes in cyclical fragments of movement. Often it is difficult to tell which part of the body one actually sees (whoever wants to can see/imagine/think sexual organs and sexual acts.) The gaze gets hung up on partial objects, no integral, whole body to think about. No body, whose representation was always one of the problems in cinema.
Genres:
Budget: $0 | Revenue : $0
Runtime: 2 minutes
Release Date: 1982-03-01
Return to Reason
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Return of the Jedi
Spider-Man: No Way Home
Venom: Let There Be Carnage
The Return of the Living Dead
The Shawshank Redemption
The Lord of the Rings: The Return of the King
The Super Mario Bros. Movie
The Lord of the Rings: The Fellowship of the Ring
Lisl Ponger
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