Experiencing the Flooding Red | Experimentando o Vermelho em Dilúvio
The performance here is a device for creating counter-narratives, projectile bullets, decolonizing the image of the black woman. They are violent images, they are precarious actions, they are postgraduate research, they are articles in magazines and newspapers, they are contradictory, they are destructible. I will point out sounds and words of invisible people from institutional space, I propose a guerrilla of knowledge, in an attempt to reactivate ancestral memories and knowledge, to produce dissensions in bodies marked by coloniality.
Description: The performance here is a device for creating counter-narratives, projectile bullets, decolonizing the image of the black woman. They are violent images, they are precarious actions, they are postgraduate research, they are articles in magazines and newspapers, they are contradictory, they are destructible. I will point out sounds and words of invisible people from institutional space, I propose a guerrilla of knowledge, in an attempt to reactivate ancestral memories and knowledge, to produce dissensions in bodies marked by coloniality.
Genres:
Budget: $0 | Revenue : $0
Runtime: 8 minutes
Texas Carlos Massacre
Gulliver Returns
Gasping for Air
Czechoslovak Architecture 58–89
Return to Homs
Ishi's Return
Return to Horror Hotel
Merlin: The Return
Return to Rajapur
Judd Apatow: The Return
Michelle Mattiuzzi
Played
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